I have read the Psalms a couple dozen times, and parts of some Psalms probably hundreds of times, just as many of you have. Yet as I read them again recently and read a few introductions to prepare for a preaching series, I have been gladly surprised by a number of things. Here’s one of the most surprising surprises.
I’m surprised at how touchable the Psalms are.
I’m still not sure that touchable is the best word to name this observation, but think along with me. The Book of Psalms is a book of songs. The Greek name, psalmoi means “songs sung with musical accompaniment.” The Hebrew title is tehillim, meaning “songs of praise.” We think of it as Israel’s worship book, and we’re right.
But when we (21st century, Protestant, epistle-loving church-goers) think about worship, we think about spiritual realities, about heavenly glory, about God’s transcendence. Yet the omnis aren’t the only stars in the Psalms. There are praises about God’s great glory, followed by thanks for great crops.
We observe numerous types of psalms: thanksgiving, lament, and praise. We see royal psalms, Sabbath day psalms, psalms about creation, about the exodus from Egypt, psalms seeking deliverance from gossips and liars. There are Psalms confessing sin, others seeking forgiveness. Psalms utilize standard poetic conventions such as parallelism, acrostics, laying down patterns like embroidery, stitch by stitch. We find knees and hands and laying down prostrate.
We see David on the run from Saul. David on the run from Absolom. David’s guilt after adultery and murder. National captivity. Want for justice. Dangers, defeats, doubts, depressions, and delays.
In other words, the Book of Psalms deals with the terrestrial, with earthy needs and troubles and gifts maybe even more than it does with celestial, incorporeal truths. There is more about nature and nations than the temple. Or, better, God’s people sang about nature and nations in the temple.
God made it all. He holds it all together. He causes time and the sun to run their courses. God is no dualist. His people know and rehearse and rejoice in His supernatural attributes, yes. They praise attributes such as His holiness, His mercy, His judgment, and His steadfast love. But these qualities are always connected to something tangible that He has done, that His people can see or that they have hope to see. God is active, and the psalmists who complain about His inactivity do so because that’s not normal for Him (Geoffrey Grogan, Prayer, Praise and Prophecy, 73).
We’ve begun to learn to sing Psalm 128 as a church.
Blessed is everyone who fears the LORD,
who walks in his ways!
You shall eat the fruit of the labor of your hands;
you shall be blessed, and it shall be well with you.
Your *wife will be like a fruitful vine
within your house*;
your *children will be like olive shoots
around your table*.
Behold, thus shall the man be blessed
who fears the LORD.
The LORD bless you from Zion!
May you see the prosperity of Jerusalem
all the days of your life!
May you see your children’s children!
Peace be upon Israel!
(Psalm 128:1-6, ESV)
Too many of our (post)modern songs fail to promote worship in the flesh. We have a lot of songs that are fleshly (in lyrics or in style), in that they cater to the flesh, but they are not fleshy, that is, addressing life here and now. The Psalms care about the soul and body, about forever and today, about heavenly handwork and rich soil. This is one reason to sing entire Psalms. Songs that borrow lines from certain Psalms are fine, but the appropriated lines are usually only the sacred lyrics.
Worship should always be a preparation for living the Christian life in the real world and not simply a means of temporary escape from it. (Grogan, ibid., 8)
God glorifies Himself, God makes and fulfills promises, God loves His people in time and space. The Psalms have handleability, and it’s good to get our lips and hands working together.