I like guitar, I like “Classical Gas,” and I like this edition (which I saw because Mike Rowe shared it):
Good evening to our school board, faculty, families, friends, raggants young and old, and especially to our candidate for graduation. I know the work required to get to this point, and it is an honor to push this celebration toward its crescendo.
Our fifth graduating class turns out to be our smallest. There is a song that says one is the loneliest number, but one senior allows for a more singular charge, even as others listen along.
ECS is a not a music school, but music is certainly both an instrument and expression of our learning. Bonnie is a musical young lady. Music isn’t the only thing we teach, and music isn’t the only thing Bonnie makes, but there has been a harmonious relationship between she and the school.
It would be irresponsible to say that ECS caused Bonnie’s love of music, and certainly we didn’t create her appetite and aptitude for singing or her abilities with instruments. As she said during her capstone presentation, her family is a musical family, dad and mom and also older siblings. They have been taking songs and packing instruments with them all over the world, sort of the traveling Netherlander von Trapps. On our school’s trip to the UK in 2018, one of her sisters pulled out packets of worship song lyrics from previous youth retreats; apparently carrying such papers was an international priority. The Bour sisters’ mantra might be: “Let’s sing!” How many Raggants Got Talent entries has Bonnie been in singing or strumming (or sashaying)? It won’t shock you that she took quite seriously the job of ukulele arrangement for “Let It Go.” Musica eius erat, est, et erit (Her music was, is, and will be).
ECS also has a history with music, and Lord willing, we will repeat that chorus many times. One school story from before there was a school seems appropriate to remember tonight. On Friday evening, October 14th, 2011, we had our very first Committee meeting. A Committee was formed before a Board, because a Board decides what the school will do, a Committee decides if there should even be a school. Mr. Sarr, Mr. Weinberg, Mr. Martin, Mr. Light, Mr. Bowers, Mrs. Higgins and myself got together, and after we prayed, the first thing we did was watch a TED Talk on YouTube, just like they did at Plato’s Academy.
It was a talk about how everyone can, and should, come to enjoy classical music, given by the conductor/composer, Benjamin Zander. I rewatched those twenty minutes again a few days ago, and it resonated just as loudly. He played a few pieces on the piano, he pointed out some connections between notes (“the job of the C is to make B sad” and the B wants to “get home to E” in Chopin’s 24 Preludes, Opus Number 28: No. 4 in E Minor), and also commented on how leaders see great opportunities and do not doubt that they can encourage and empower others to get where they’re dreaming.
If I remember correctly, we hadn’t started singing any Psalms yet as a church. We certainly hadn’t had a Matins because we didn’t have any students, so no Cantus, no choir, no Bible songs, no school-endorsed egg shakers. What we did have that night was a drum beat of conviction that we could come to love a lot more things, that it would be good for us, that we could grow, and that a bunch of others would also get a taste and be drawn into the gravity of the project.
This is about music, sure, and music is a metaphor for a bunch of things that make up the tones and rhythms of our school culture. And this, as it turns out, shouldn’t be too surprising, because there is a sort of music that plays in the universe.
You may hear it referred to as the “music of the spheres,” or the “harmony of the spheres.” These spheres are not the various spheres of life, as Kuyperians regularly refer to them, but the heavenly, celestial orbits. Not only poets, but scientists watched and measured and calculated the movements of the planets, and they noticed and celebrated the ratios and harmonies.
Joahannes Kepler was a German mathematician and astronomer, born 25 years after Martin Luther died, who worked before the word gravity was applied to stellar phenomenon, who labored to describe the motions and laws of the planets, and he spoke about it as music. One of his books is called Harmonices Mundi, or Harmonies of the World, in which he presented his case that the speed of the planets at two various points in their ellipse around the sun have a proportion equal to a musical interval. This heavenly choir had a tenor (Mars), two bass (Saturn and Jupiter), a soprano (Mercury), and two altos (Venus and Earth). Though earlier philosophers like Pythagorus and astronomers such as Ptolemy considered songs of the cosmos, Kepler commended them as God’s works.
It is no mistake that Lewis has Aslan sing Narnia into creation in The Magician’s Nephew, or that Tolkien has Eru teach the Ainur to sing reality into existence in The Silmarillion. Whether or not Yahweh sang in Genesis 1, God asked Job, “Where were you when I laid the foundation of the earth? … when the morning stars sang together and all the sons of God shouted for joy?” (Job 38:4-7). Certainly our future is one of singing, and we will join the angels singing the Lord’s praises for creation and redemption.
Music is not mere “filler,” not just background noise, though those are fine uses. There are many different lawful and beautiful types of music, occasions where certain styles are fitting and good. Music was not only one of the seven liberal arts, in many ways music is the rhetoric of math, perhaps even the crown of classical education. The Quadrivium are arithmetic, geometry, astronomy, and music. If arithmetic is numbers, geometry is numbers in shape, astronomy is numbers in movement, and music is numbers in time. Music is the adorning of time.
One of your responsibilities, Bonnie, is to carry and advance Christ-honoring culture by beautifying time, and by blessing others as you help them develop and ears to hear. This includes all of your interests, not just your instruments.
You are well known for taking a long time to do your homework, breaking homework surveys in the process. You are also well known not just for taking a long time to eat your food, but for taking a long time to decide if you even like what you’re eating or not. It was a frequent conversation on the UK trip: Do you like it? Do you like it now? Do you think you’ll ever know if you liked it?
This is a funny quirk, and perhaps your non-committal relationship to food will go with you for a long time. But, I want to charge you not to settle for this with your calling to make mellifluous music.
You have a desire to please others, and this is generally a good desire. But you also need to learn what really pleases you, and in doing so, make it and play it and perform it and it will be a delight to others. Benjamin Zander called it “one-buttock playing,” where the music pushes you over. Keep learning, and then honor your teachers by multiplying their investment.
Mellifluous is an adjective that applies to a voice or words meaning sweet or musical; pleasant to hear (New Oxford American Dictionary). It comes from the Latin mellifluus a combination of mel ‘honey’ + fluere ‘to flow’. So, put some honey on a minute. Make mellifluous minutes.
Do this with every thumb’s-plunk on the piano, every thumb’s-pluck on the ukulele, every thumb’s-strum on the guitar, every thumb’s-swipe to the next sheet of a song you’ve written.
It is good to give thanks to the LORD,
to sing praises to your name, O Most High;
to declare your steadfast love in the morning,
and your faithfulness by night,
to the music of the lute and the harp,
to the melody of the lyre.
For you, O LORD, have made me glad by your work;
at the works of your hands I sing for joy.
(Psalm 92:1–4 ESV)
In submission to the Lord of math and ratios and decibels, with thanks for majors and minors, white keys and black keys, uks and kazoos and synthetic cat gut violin strings, with a Steinway and with a Stradivarius, honor Him as a steward who beautifies time. Let’s sing!
by David Epstein
Epstein challenges the modern idol of early specialization in sports, in education, in music, in everything. I have already recommended this to a bunch of people, especially in education circles, and will be rereading it immediately with a group of guys who are aiming to start a college. Epstein doesn’t refer to the lordship of Christ in all of it, but he makes a compelling case that there is a lot of good things to learn (in Christ’s creative and sustaining domain), and even more of a case that learning about a lot of those things helps us appreciate and connect and do more good things.
Scottish politician Andrew Fletcher wrote in 1704:
Let me write the songs of a nation, and I care not who writes its laws.(quoted in Wenham, The Psalter Reclaimed, Location 99)
Well then, no wonder we are so weak. We war over worship songs instead of having war songs for worship. Our music reveals our relative thinking and irreverent affections rather than faithful roots in truth.
The goal at our church is not to sing only Psalms. It is our goal to not not sing any Psalms. That is, we want to at least add some to our arsenal for sake of applying Colossians 3:16. I’ve now preached through the first 13 Psalms (and plan to preach more in the future) in order to encourage and persuade and better prepare us for edification when we sing them down the road.
What sort of inheritance do we want to leave for our grandchildren? What sort of preparations should we make for standing around the hospital bed of someone who is dying? Yes, take Michael W. Smith, Steven Curtis Chapman, the Gettys, and maybe even Lecrae with you, okay. But take more. Take Psalms.
May these songs become an always playing soundtrack behind our theology, worldview, corporate worship, private devotion, prayer, singing, and art. The rounds are live, the blood is red. Let’s turn the volume up.
Is any (among you) merry? Let him sing psalms (ψαλλέτω). (James 5:13, KJV)